Download media companion 3 709
Author: s | 2025-04-24
Media Companion. 130K. Media Companion. 13K. Media Companion. 357K. Related Videos. 3:06. ക്ഷേമപെൻഷൻ കുടിശിക 3 മാസ 4800 DJI Mavic 3 D-Log M to Rec.709 LUT DJI Mavic 3 D-Log to Rec.709 vivid LUT DJI Mavic 3 D-Log to Rec.709 LUT DJI Avata 2 DJI D-Log M to Rec.709 DJI Mini 4 Pro DJI D-Log M to Rec.709 DJI Air 3s DJI D-Log M to Rec.709 DJI Air 3 DJI D-Log M to Rec.709 DJI OSMO Action 5 Pro D-Log M to Rec.709 vivid Only supported for download on phones. iOS
Media Companion - Media Companion Documentation
Set to Rec.709-A might well not pass the QC machines, but hey ... again, that's your problem, not theirs.Adobe took a different direction. They kept the broadcast standard within their system, but decided on using that "gamma compensation LUT" at export as a way to allow Mac users to set their media to Apple's unique view if they chose. Essentially a different route to allow users to get to a similar result.Neither approach was "right", both allowed users to create a file that might well not pass QC machines, but hey ... again, that's your choice.Now, with the 24.x release, the Premiere devs have included a user settable viewer gamma for the Program monitor. You can choose 2.4 (broadcast), 2.2 (web), and 1.96 (QuickTime), the latter being the one to match your Mac's odd Rec.709 setup.So ... Adobe is giving you now what you supposedly want ... use it!Although ... be aware! ... Apple has recently introduced another issue ... being Apple, of course. It's actually a 'fix' for their own mistake, but it's an additional option apparently on most newer Macs.It's to set the screen display to "HDTV" ... and if you do, you get full-on Rec.709 with display gamma of 2.4.So ... use the 1.96 viewing gamma all you want! Just understand, on most PC/Android and pro systems, you media will not look what you would consider "correct". But past that, it won't even look "correct" on all Macs, because some Mac users are now setting theirs to "HDTV". Which gives a correct display gamma for Rec.709 'standard' setups.Ain't life a joy? Media Companion. 130K. Media Companion. 13K. Media Companion. 357K. Related Videos. 3:06. ക്ഷേമപെൻഷൻ കുടിശിക 3 മാസ 4800 DJI Mavic 3 D-Log M to Rec.709 LUT DJI Mavic 3 D-Log to Rec.709 vivid LUT DJI Mavic 3 D-Log to Rec.709 LUT DJI Avata 2 DJI D-Log M to Rec.709 DJI Mini 4 Pro DJI D-Log M to Rec.709 DJI Air 3s DJI D-Log M to Rec.709 DJI Air 3 DJI D-Log M to Rec.709 DJI OSMO Action 5 Pro D-Log M to Rec.709 vivid Only supported for download on phones. iOS I don't know what part of reality some people have trouble understanding. And note, I work for/with/teach pro colorists, mostly based in Resolve. I use Resolve quite a lot, and ... as I work for/with and teach pro colorists ... I have been around "this discussion" with top tier colorists and the folks that make the calibration software used by the colorists for their spendy monitors.Over the last five or so years. Hours of presentations and discussions, both at NAB and online. Hours of reading white papers and tests ad infinitum. I know the issue. And the frustration that Resolve based pro colorists have with Apple ... and they're mostly Mac geeks. So ... again, here's the history of this issue.When Apple came out with the Retina monitors and then ColorSync, for some unknown reason they built in the assumption that the OETF function of the camera ... essentially gamma 1.96 ... was the appropriate display gamma. (Boy, does that lead to some down-the-rabbit hole discussions ... )After Apple came out with their odd 1.96 display gamma, the Resolve devs added an option called Rec.709-A, and yes, specifically, A is for Apple. Why? Very simple.Because the entire 'broadcast world' used a screen (display) gamma of 2.4 with Rec.709/SDR media. And yes, that specifically included Resolve.The "Rec.709-A" option was their attempt to make 'basic' Mac users happy. Even if the result wouldn't fly in professional broadcast usage. Btw, Mac has a ton of user options that users shouldn't use, normally ... because they'll mess up your media. But they seem to feel hey, you wanna mess yourself up, have at it ... (And this is a constant humor dicsussion among colorists, tales of users setting screwy things then wondering why it's ... darn ugly ... )So did Adobe create the problem? No. And prior to Apple's odd display gamma, Resolve didn't have the Rec.709-A option either.So Resolve tried to give users an option to make them happy ... even if it was not "correct" ... which was the option for Rec.709-A for Apple. The problem being, a show you worked onComments
Set to Rec.709-A might well not pass the QC machines, but hey ... again, that's your problem, not theirs.Adobe took a different direction. They kept the broadcast standard within their system, but decided on using that "gamma compensation LUT" at export as a way to allow Mac users to set their media to Apple's unique view if they chose. Essentially a different route to allow users to get to a similar result.Neither approach was "right", both allowed users to create a file that might well not pass QC machines, but hey ... again, that's your choice.Now, with the 24.x release, the Premiere devs have included a user settable viewer gamma for the Program monitor. You can choose 2.4 (broadcast), 2.2 (web), and 1.96 (QuickTime), the latter being the one to match your Mac's odd Rec.709 setup.So ... Adobe is giving you now what you supposedly want ... use it!Although ... be aware! ... Apple has recently introduced another issue ... being Apple, of course. It's actually a 'fix' for their own mistake, but it's an additional option apparently on most newer Macs.It's to set the screen display to "HDTV" ... and if you do, you get full-on Rec.709 with display gamma of 2.4.So ... use the 1.96 viewing gamma all you want! Just understand, on most PC/Android and pro systems, you media will not look what you would consider "correct". But past that, it won't even look "correct" on all Macs, because some Mac users are now setting theirs to "HDTV". Which gives a correct display gamma for Rec.709 'standard' setups.Ain't life a joy?
2025-04-06I don't know what part of reality some people have trouble understanding. And note, I work for/with/teach pro colorists, mostly based in Resolve. I use Resolve quite a lot, and ... as I work for/with and teach pro colorists ... I have been around "this discussion" with top tier colorists and the folks that make the calibration software used by the colorists for their spendy monitors.Over the last five or so years. Hours of presentations and discussions, both at NAB and online. Hours of reading white papers and tests ad infinitum. I know the issue. And the frustration that Resolve based pro colorists have with Apple ... and they're mostly Mac geeks. So ... again, here's the history of this issue.When Apple came out with the Retina monitors and then ColorSync, for some unknown reason they built in the assumption that the OETF function of the camera ... essentially gamma 1.96 ... was the appropriate display gamma. (Boy, does that lead to some down-the-rabbit hole discussions ... )After Apple came out with their odd 1.96 display gamma, the Resolve devs added an option called Rec.709-A, and yes, specifically, A is for Apple. Why? Very simple.Because the entire 'broadcast world' used a screen (display) gamma of 2.4 with Rec.709/SDR media. And yes, that specifically included Resolve.The "Rec.709-A" option was their attempt to make 'basic' Mac users happy. Even if the result wouldn't fly in professional broadcast usage. Btw, Mac has a ton of user options that users shouldn't use, normally ... because they'll mess up your media. But they seem to feel hey, you wanna mess yourself up, have at it ... (And this is a constant humor dicsussion among colorists, tales of users setting screwy things then wondering why it's ... darn ugly ... )So did Adobe create the problem? No. And prior to Apple's odd display gamma, Resolve didn't have the Rec.709-A option either.So Resolve tried to give users an option to make them happy ... even if it was not "correct" ... which was the option for Rec.709-A for Apple. The problem being, a show you worked on
2025-03-27Oh, this is such a joy. Sheesh.The display standards for grading and evaluation of Rec.709 media has been in use for over a decade, for all broadcast/streaming/web use: sRGB color primaries, D65 white point, 100 nits max brightness, gamma 2.4 (semi-darkened room) with 2.2 allowed for "bright room" or web use.Premiere has always followed those standards.But for some unknown reason, when Apple started with their Retina monitors, they made the settings used by their OS level color management utility ColorSync to use the specified Rec.709 camera transform gamma of 1.96, rather than the specified display gamma of 2.4.So any application that allows ColorSync to control Rec.709 media during playback will be using the 1.96 gamma setting. This includes QuickTime player, Chrome and Safari browsers, most other apps.And yes, if you watch any broadcast or streamed media through those applications, you are getting that with the display gamma of 1.96.But VLC most often does not allow ColorSync control, and uses gamma 2.4.Another fun thing ... some newer Macs have an option called "HDTV" ... and if you have it and use it, that will use gamma 2.4 across all the apps mentioned above.So if you use VLC, or can select HDTV, then you get the same content but with gamma 2.4.So, let's say you make a file that looks good when displayed with gamma 1.96, which lifts the shadows a lot and mids a bit ... meaning you have to drop the shadows/mids in the grading ... and yea, it looks
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2025-04-13A program for Sony Xperia devicesSony PC Companion is a free utility for Sony Xperia devices. It supports operating system updates as well as the backup of contacts, files, and messages. Unfortunately, this program has been retired by Sony. For the best experience, consider downloading Xperia Companion.A host of featuresSony PC Companion lets you connect your Sony Xperia via Bluetooth, USB, and WiFi. It also has three main features: “Support Zone,” “Xperia Transfer,” and “Media Go.” Support Zone is for downloading software updates, whereas Xperia Transfer is for moving files to another Xperia unit.Finally, you have Media Go — which is not only a hub for file multimedia management, but also an option that provides a host of multimedia features, including auto conversion and sync, CD ripping, and the like. As the program is no longer supported, it’s recommended to download Xperia Companion.For Xperia users onlyThough replaced with Xperia Companion, the Sony PC Companion app still deserves some credit. Some of its features include backing up important files and contacts, downloading updates, ripping audio, and many more. However, this program is only for those who own Sony Xperia devices.PROSTransfer and backup filesAuto sync and conversionConnect via Bluetooth, USB, and WiFiProgram available in other languagesSony PC Companion 다운로드 [KO]Pobierz Sony PC Companion [PL]Télécharger Sony PC Companion [FR]Download do Sony PC Companion [PT]تنزيل Sony PC Companion [AR]Скачать Sony PC Companion [RU]Descargar Sony PC Companion [ES]下载Sony PC Companion [ZH]Sony PC Companion herunterladen [DE]Ladda ner Sony PC Companion [SV]Download Sony PC Companion [NL]ดาวน์โหลด Sony
2025-04-21